The Era of Fake News was done by using a 70’s fuzz pedal with a cardioid mic to sample gongs, cymbals, singing bowls and chimes. These samples were then loaded into Sonar’s Matrix View and used to create a performance which was captured. Massive reverb was added.
When Fear Itself Arrives is a six minute 19 edo composition using a Linnstrument, Doepfer R2M, Electro Harmonics Nano Ironlung Vocoder, Line 6 Uber Metal Pedal, Diva, Absynth 5, Izotope Beat Tweaker, Izotope Stutter Edit, Breverb, BT Brick Wall, dblue Glitch v 1.3, Voice, FDR clip, Cakewalk Sonar, Zoom UAC-2, all tuned to 19 notes per octave and taking advantage of micro-looping within the applications.
Reflection and Reflections, Generative Music Without Intent is a piece that uses 7 instances of FMTS 2 by Jacky Lingon of Xen Arts driven by one one instance of Refaktions which employs AI to develop and enhance performance – more on that app later. The piece uses simultaneous tunings of Carlos Alpha, 5 edo, and harmonics 12 through 24. click to enlarge
As the title says I spent some time with my 17 et guitar. I purposefully tried doing non-12 sounding stuff with what I think is moderate success. I believe I will have to resort to some “dots” to get some new scales in 17 et down – there just is too much to keep track of when I change strings causing the patterns to be transposed. I apologize for the sloppy classical guitar – ish playing.
adjective: unintelligible for 19 edo guitar and voice
impossible to understand.
“dolphin sounds are unintelligible to humans”
synonyms: incomprehensible, indiscernible, mumbled, indistinct, unclear, slurred, inarticulate, incoherent, garbled