
Count the Drops in the Fountain is a fretless classical guitar solo improvisation.

Count the Drops in the Fountain is a fretless classical guitar solo improvisation.
Under the Ice of Europa is an ambient piece for only the most dedicated. It has a run time of 42 minutes and should be listened to at a very loud volume to get the full effect. The initial sound sources were 5 instances of EFM Synthia 2 (EMI Synthi emulator) 1 instance of Altair 4 and 1 instance of Albino. There was a lot of work done in the sound design of synthi patches and arpeggiation was applied to all tracks. Then, yes I ran it through PES, but not with default settings. I used three instances, two of which were through the harmonic filter with 21 harmonics at a just fifth and the three outputs mixed together. Its a pretty complex mixture that is constantly changing. However, I realize 42 minutes of anything is a difficult hand, so my hat is off to you if you decide to try it and actually make it all the way through.
Alexey Leonov performing the first EVA.
Walking the Airlock is a poly-tuned piece using predominately 16 and 32 edo (notes per octave) with some unavoidable 12 equal and free-pitch material. The synths used are albino, zeta+ 2.1, kontakt, session drummer 3, and izotope stutter edit. Some effects and post editing were applied. The piece was performed on an M-Audio 88es and Korg nano-kontrol 1. Recorded in Sonar X1 with its native midi arpeggiator added to the session 3 drummer track. As for the picture – per Wikipedia
– NASA planners invented the term extra-vehicular activity in the early 1960s for the Apollo program to land men on the Moon, because the astronauts would leave the spacecraft to collect lunar material samples and deploy scientific experiments. To support this, and other Apollo objectives, the Gemini program was spun off to develop the capability for astronauts to work outside a two-man Earth orbiting spacecraft. However, the Soviet Union was fiercely competitive in holding the early lead it had gained in manned spaceflight, so the Soviet Communist Party, led by Nikita Khrushchev, ordered the hasty conversion of its single-pilot Vostok capsule into a two- or three-person craft named Voskhod, in order to compete with Gemini and Apollo. The Soviets were able to launch two Voskhod capsules before the first manned Gemini was launched.
The Soviets’ avionics technology was not as advanced as that of the United States, so the Voskhod cabin could not have been left depressurized by an open hatch; otherwise the air-cooled electronics would have overheated. Therefore a spacewalking cosmonaut would have to enter and exit the spacecraft through an airlock.
Caged Creation is a second excerpt from the performance at the University of Illinois Krannert Art Museum (see previous post for details) – the majority of the music is in 17 edo though there are a variety of tunings employed during the John Cage 100th birthday “Happening”.
In The Moments audio only
Barry Morse organized a fantastic multimedia Happening for John Cage’s 100th birthday at the University of Illinois Urbana-Champaign Krannert Art Museum. I took time lapse video and recorded audio from my vantage point. Presented here was a moment when my 17 equal synthesizers, percussion and choir seemed to meld with Barry’s unique DIY plucked instrument, sax and trombone in true Cage-ian aleatoric synchronicity. Thanks Barry for a great event – Barry has more video here http://www.youtube.com/watch?v=wKzfa0neBEs&feature=plcp and here http://www.youtube.com/watch?v=7z0ELKpV3G8&feature=plcp that better represents the entire event.