Archive for the ‘unconstrained’ Category

Count the Drops in the Fountain

Friday, June 14th, 2013

DSCF0898croprs

Count the Drops in the Fountain is a fretless classical guitar solo improvisation.

Under the Ice of Europa

Friday, April 26th, 2013

Europa-moon

Under the Ice of Europa is an ambient piece for only the most dedicated. It has a run time of 42 minutes and should be listened to at a very loud volume to get the full effect. The initial sound sources were 5 instances of EFM Synthia 2 (EMI Synthi emulator) 1 instance of Altair 4 and 1 instance of Albino. There was a lot of work done in the sound design of synthi patches and arpeggiation was applied to all tracks. Then, yes I ran it through PES, but not with default settings. I used three instances, two of which were through the harmonic filter with 21 harmonics at a just fifth and the three outputs mixed together. Its a pretty complex mixture that is constantly changing. However, I realize 42 minutes of anything is a difficult hand, so my hat is off to you if you decide to try it and actually make it all the way through.

Trapped in Dreams

Thursday, April 4th, 2013

Trapped in Dreams is a dark ambient microtonal piece for processed alto voice, processed bowed cymbals, processed bowed china cymbals, processed bowed DIY electric cello (reference previous post).
The full quality video is here:

Walking the Airlock

Wednesday, March 6th, 2013

Voskhod2 Alexey Leonov performing the first EVA.

Walking the Airlock is a poly-tuned piece using predominately 16 and 32 edo (notes per octave) with some unavoidable 12 equal and free-pitch material. The synths used are albino, zeta+ 2.1, kontakt, session drummer 3, and izotope stutter edit. Some effects and post editing were applied. The piece was performed on an M-Audio 88es and Korg nano-kontrol 1. Recorded in Sonar X1 with its native midi arpeggiator added to the session 3 drummer track. As for the picture – per Wikipedia

– NASA planners invented the term extra-vehicular activity in the early 1960s for the Apollo program to land men on the Moon, because the astronauts would leave the spacecraft to collect lunar material samples and deploy scientific experiments. To support this, and other Apollo objectives, the Gemini program was spun off to develop the capability for astronauts to work outside a two-man Earth orbiting spacecraft. However, the Soviet Union was fiercely competitive in holding the early lead it had gained in manned spaceflight, so the Soviet Communist Party, led by Nikita Khrushchev, ordered the hasty conversion of its single-pilot Vostok capsule into a two- or three-person craft named Voskhod, in order to compete with Gemini and Apollo. The Soviets were able to launch two Voskhod capsules before the first manned Gemini was launched.

The Soviets’ avionics technology was not as advanced as that of the United States, so the Voskhod cabin could not have been left depressurized by an open hatch; otherwise the air-cooled electronics would have overheated. Therefore a spacewalking cosmonaut would have to enter and exit the spacecraft through an airlock.

Caged Creation

Saturday, September 8th, 2012

Caged Creation is a second excerpt from the performance at the University of Illinois Krannert Art Museum (see previous post for details) – the majority of the music is in 17 edo though there are a variety of tunings employed during the John Cage 100th birthday “Happening”.

In The Moments

Friday, September 7th, 2012

In The Moments audio only

Barry Morse organized a fantastic multimedia Happening for John Cage’s 100th birthday at the University of Illinois Urbana-Champaign Krannert Art Museum. I took time lapse video and recorded audio from my vantage point. Presented here was a moment when my 17 equal synthesizers, percussion and choir seemed to meld with Barry’s unique DIY plucked instrument, sax and trombone in true Cage-ian aleatoric synchronicity. Thanks Barry for a great event – Barry has more video here http://www.youtube.com/watch?v=wKzfa0neBEs&feature=plcp and here http://www.youtube.com/watch?v=7z0ELKpV3G8&feature=plcp that better represents the entire event.

And the Gods Were Against Us

Saturday, August 18th, 2012

Salvador Dali – The Broken Bridge and the Dream


And the Gods Were Against Us is a microtonal ambient piece that uses harmonic series tuning, unpitched inharmonic and found sounds.

Terraforming Mars

Friday, August 10th, 2012

Terraforming Mars is an ambient piece using the unconstrained pitch of bowed and manipulated cymbals and gong.

Forging an Insect

Friday, August 3rd, 2012

Forging an Insect is an ambient piece using 19 edo + harmonic series tuned synthesizers, 17 edo electric guitar, and unconstrained pitch metallic objects (I was allowed to sample a metal work shop).