Archive for the ‘Just Intonation (general)’ Category

A Figure in a Field (album)

Thursday, July 27th, 2017

I have finally released my album “A Figure in a Field”. It is a mostly ambient leaning album in many tunings and created with many techniques. See the album and track notes for details.

Three Pieces for Stringed Instruments

Monday, July 3rd, 2017


audio only


audio only

And a piece for 31 edo Bouzouki

The Bootstrap Paradox (adaptive JI ambient)

Thursday, June 29th, 2017

The Bootstrap Paradox is an ambient piece made using a Fender Squier Bass VI, Electroharmonix Pitch Fork, Sonar, Melodyne Adaptive 5-limit JI algorithm, Native Instrument Guitar Rig 5 “all or none” granular synthesis patch.

Solo 8 string guitar just intonation in 12 equal steps

Friday, June 23rd, 2017

I found an 8 string Dean RC8x guitar for about $200 at the salvation army. In this example I tuned the open strings to a just chord and improvised. Click on the picture above to enlarge.
download audio

For Solo Sitar in E (JI)

Saturday, May 27th, 2017

For Solo Sitar in E just intonation (the tempo picks up after a minute and a half)

Its a Glitch (Just Intonation, Video)

Friday, May 19th, 2017


using melodyne, sonar, audacity and movie studio – version 2 audio track (which I prefer)
audio only


using melodyne, sonar, audacity and movie studio – version 1 soundtrack
audio only

Wilson 17 tone 5 limit (scala archive)

Tuesday, April 18th, 2017



A short piano improvisation with the DIY 17 note midi controller and the tuning below.
photo by Chris Vaisvil

! wilson_17.scl
!
Wilson's 17-tone 5-limit scale
17
!
135/128
10/9
9/8
1215/1024
5/4
81/64
4/3
45/32
729/512
3/2
405/256
5/3
27/16
16/9
15/8
243/128
2/1

A Postcard from Trappist 1

Saturday, March 18th, 2017


A Postcard from Trappist 1 is an adaptive Just Intonation improvisation using the Parva synthesizer.

Micronation (Melodyne processed aeolian harp )

Saturday, March 11th, 2017



Micronation is an audio experiment where I took a ~30 seconds of aeolian harp captured during a high wind event and used Melodyne to determine each of four root notes by frequency. [The strings were tuned justly by ear but drift after several hours exposure to the elements outside, especially due to temperature changes] Then I used Paul’s Extreme Sound Stretch to isolation each vertical harmonic structure based upon the roots determined by Melodyne (10 harmonics high by 25 cents wide)and exporting the four files. Then I used Sonar to sequence the exported wav files and applied reverb, EQ, and tape simulation. The experimentally determined roots are 92 Hz, 118 Hz[59/46], 140 Hz[35/23], and 184 Hz [ 2/1 the octave of 92].

a vessel upon a strange sea (for string orchestra and french horn)

Saturday, March 4th, 2017


Photo by Chris Vaisvil

a vessel upon a strange sea (for string orchestra and french horn) uses Garritan Personal Orchestral 5 and was recorded live using a Linnstrument with Sonar Platinum as the DAW. Tuning by Scott Dakota

! D:\cakewalk\scales\Scott_Dakota\6-7-8-14note-constant-structure.scl
!
6:7:8 constant structure
 14
!
 64/63
 9/8
 8/7
 32/27
 9/7
 4/3
 81/56
 3/2
 32/21
 27/16
 12/7
 16/9
 27/14
 2/1