Aeolian Edit 2 is an experiment with manipulation of an electric aeolian harp sample which I added counterpoint and retuned to 17 edo (equal division of the octave). Since the electric aeolian harp yields only harmonics what has been manipulated are the pitch values that the melodyne detection routine decided were root pitches and *not* harmonics. By retuning to 17 I have recomposed the original content into something other than a pure harmonic relationship. My apologies for the large volume changes – in this case I’d rather have close to a constant loudness but do not have that worked out yet.
Archive for the ‘17 edo’ Category
Piano Exercise in 17 Notes per Octave is an attempt to write something playable for a piano student that has modest skills. The score is purposely scordatura because I think that notating in various microtonal accidentals is simply a burden when a person with a 12 equal midi controller and microtonal aware sound source set to 17 notes per octave (like a free Xen-Arts VSTi) can simply play the score as if it was written for 12 equal but the sound will be in 17 equal and produce the microtonal music of the score. A note on the composition – it is a of a nested ABA’B’ form.
The full score is here. Academic performance in a setting where a fee is charged is allowed. Any other commercial use without my permission is not. Please write me for permission in such a case, I haven’t told anyone no as of yet 🙂
Thank you Neil Haverstick for suggesting this project.
The 17th Day was realized with an Oxygen 25 and linplug CrX 4
Photo by Chris Vaisvil
In Memory of You is a solo improvised piece for synthesizer in 17 note per octave (equal division of the octave edo) tuning played on a Roli 49
Loosely Controlled Variations is a short piece created by using scalegen to create a file for 17 edo tuning for Gestrument and then performing on the Gestrument a mix of 17 edo with just a little 12 edo.
Anacortes Refinery Disaster is a performance in 17 edo on a Linnstrument driving Diva, Brazile, and Ace. Each synthesizer is in Midi Polyphonic Expression mode.
Shanidar Cave is a piece in 17 edo that features an electric 17 edo guitar and what is essentially an electric tanpura which ends up making this a sort of fusion of middle eastern and Indian music in a sense. The tanpura is the result of a the installation of a “sitar” buzzing bridge that was to make a spare strat copy into an electric sitar. It turned out to be so difficult to adjust the intonation I gave up and let it lay fallow for a couple years until I hit upon the tanpura idea recently – an instrument without frets and therefore without a need for intonation adjustment. The bridge was sold by eyb guitars for 125 euros. A photo of the bridge is below.
A Short Study in 17 Equal (piano) performed on a Linnstrument.