Archive for the ‘electronic’ Category

Up Tempo (Eagle 53)

Wednesday, August 16th, 2017

Up Tempo is a short performance in Eagle 53 using CrX4, Spectral, and Session Drummer in John O’Sullivan’s Eagle 53 tuning.

picture by Chris Vaisvil

Degenerate Matter

Monday, August 14th, 2017


Degenerate Matter is a short piece for Ultra Analog VA-2, CrX4, and Spectral in 17 note per octave tuning.

Not so Degenerate Matter is a half speed with layered arpeggiation version for my friend Bill Newbold – enjoy!

Purple Fog (BP-JI)

Friday, June 2nd, 2017

Purple Fog is a microtonal collaboration between Bill Newbold and myself – Bill provided the midi performance and I arranged it with synthesizers tuned to Bohlen-Pierce non-tempered JI tuning.

I can’t remember where I pinched the picture from – thank you photographer!

Its a Glitch (Just Intonation, Video)

Friday, May 19th, 2017


using melodyne, sonar, audacity and movie studio – version 2 audio track (which I prefer)
audio only


using melodyne, sonar, audacity and movie studio – version 1 soundtrack
audio only

The Era of Fake News

Saturday, February 18th, 2017


The Era of Fake News was done by using a 70’s fuzz pedal with a cardioid mic to sample gongs, cymbals, singing bowls and chimes. These samples were then loaded into Sonar’s Matrix View and used to create a performance which was captured. Massive reverb was added.


The Era of Fake News Sanatized is the same track using Paul’s Extreme Stretch’s tonal only switch – no time stretching.

If you want to sample it – please give me a credit and link back.

20170214 19edo Multi Controller Directed Improvisation

Tuesday, February 14th, 2017


audio only

Capturing Paul (Acousmatic in Adaptive Just Intonation via Melodyne)

Saturday, November 26th, 2016

capturing_paul Melodyne

capturing_paul2 Spectrum analysis

Capturing Paul
What I did was modified Paul Mimlitsch’s prepared guitar track posted to Sound-In. In detail I deleted the highest and lowest notes, and retuned to 22 edo. Then I tuned it to 12 equal whole tone, and then to adaptive just intonation. I normalized the perceived tempo and then quantized the notes to triplet 16th and eight notes. Then I “pulled” the notes to be about 300% longer than originally. Lastly I used the Melodyne spectrum manipulation to kill all harmonics greater than #8. That made the sound a lot purer and a bit like brass in the final result.

Cucumber in Brine

Saturday, November 19th, 2016

img_0297
Cucumber in Brine is a directed improvisation played on a Linnstrument with Diva, Brazile, ACE, and Zeta+ 2 synths all tuned to 17 edo (17 equal temperament)

X 48 (7, 14, and 21 edo )

Sunday, November 6th, 2016

x-48

X 48 is a music / video montage using a Linnstrument, u-he’s Diva in 7 edo, Garritan Personal Orchestra, chamber orchestra present in 14 edo, Garritan Personal Orchestra concert grand piano in 21 edo – all images were taken and processed by me. Audio only.

September (JI Ambient)

Saturday, October 1st, 2016

september_christiane


September – a collaboration of Christiane Offenbar, Meolog, and myself. All of the audio is derived from Christiane’s singing of Meolog’s poem which is below. The processing created tracks that were based on harmonic series started on 27.5 cents, 41.25 cents, and parallel tracks in a fugue at the octave, minor 3rd, 4th, and 5th.

september

die letzten
warmen tage:
sommers versprechen
schwingt
noch einmal auf
und lichtet sich
mit den bäumen
mit dem wind
Links:
meolog.tumblr.com/
https://soundcloud.com/offenbar-christiane/meologs-september
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