The Era of Fake News was done by using a 70’s fuzz pedal with a cardioid mic to sample gongs, cymbals, singing bowls and chimes. These samples were then loaded into Sonar’s Matrix View and used to create a performance which was captured. Massive reverb was added.
When Fear Itself Arrives is a six minute 19 edo composition using a Linnstrument, Doepfer R2M, Electro Harmonics Nano Ironlung Vocoder, Line 6 Uber Metal Pedal, Diva, Absynth 5, Izotope Beat Tweaker, Izotope Stutter Edit, Breverb, BT Brick Wall, dblue Glitch v 1.3, Voice, FDR clip, Cakewalk Sonar, Zoom UAC-2, all tuned to 19 notes per octave and taking advantage of micro-looping within the applications.
An improvisation in Scott Dakota’s Submariner_1025_383_ (see previous post for scala file) – This improvisation tends to dwell on harmonies created from a virtual viola ensemble. More tuning details – Period: 1025/512, generator 383/256. Septimal meantone with a lot of /2^n self-coherent-beating intervals. Scott Dakota Jan 2017. audio only
In 24 edo (largely) using Shoom, Gestrument, and Bowls HD => download
The tempest prognosticator comprises twelve pint bottles in a circle around and beneath a large bell. Atop the glasses are small metal tubes which contain a piece of whalebone and a wire connecting them to small hammers positioned to strike the bell. In his essay Merryweather described the workings of the device:
“ After having arranged this mouse trap contrivance, into each bottle was poured rain water, to the height of an inch and a half; and a leech placed in every bottle, which was to be its future residence; and when influenced by the electromagnetic state of the atmosphere a number of leeches ascended into the tubes; in doing which they dislodged the whalebone and caused the bell to ring. ”
— George Merryweather
The leech would have difficulty entering the metal tubes but would endeavour to do so if sufficiently motivated by the likelihood of bad weather. By ringing the bell it would signify that that individual leech is indicating that a storm is approaching. Merryweather referred to the leeches as his “jury of philosophical councilors” and that the more of them that rang the bell the more likely that a storm would occur.
In his essay Merryweather also noted other features of the design, including the fact that the leeches were placed in glass bottles placed in a circle to prevent them from feeling “the affliction of solitary confinement”
A video demo of the Gestrument, an algorithmic music composition iPad program that supports alternate tunings. It works hand in hand with ScaleGen (not shown here) for $13.99 bought as a bundle. Its a great value and has a long list of features such as morphing of tunings, recording, a nice selection of voices and output of midi.