Comments on: GR-20 Hexaphonic 19-ET Guitar Improvisation http://chrisvaisvil.com/?p=25 Mon, 10 May 2010 18:23:02 +0000 hourly 1 http://wordpress.org/?v=3.0.1 By: charles lucy http://chrisvaisvil.com/?p=25&cpage=1#comment-235 charles lucy Wed, 31 Mar 2010 01:17:53 +0000 http://chrisvaisvil.com/?p=25#comment-235 [...] upstate ... Lucy and Sarah are also preparing for a once-in-a-lifetime trip to Italy, where his ...GR-20 Hexaphonic 19-ET Guitar Improvisation Chris VaisvilHi Charles, thanks for the listen and comment. I tried something like that back in 87 or 88 as well [...] [...] upstate … Lucy and Sarah are also preparing for a once-in-a-lifetime trip to Italy, where his …GR-20 Hexaphonic 19-ET Guitar Improvisation Chris VaisvilHi Charles, thanks for the listen and comment. I tried something like that back in 87 or 88 as well [...]

]]> By: Nakesha Vandercook http://chrisvaisvil.com/?p=25&cpage=1#comment-101 Nakesha Vandercook Sun, 28 Feb 2010 19:11:45 +0000 http://chrisvaisvil.com/?p=25#comment-101 Awesome site, I will be adding your feed to my google reader. Awesome site, I will be adding your feed to my google reader.

]]> By: I See The Void « Chris Vaisvil http://chrisvaisvil.com/?p=25&cpage=1#comment-45 I See The Void « Chris Vaisvil Fri, 29 Jan 2010 00:15:39 +0000 http://chrisvaisvil.com/?p=25#comment-45 [...] performance at the Oddmusic Convergence used the same tuning (19 ET), equipment and software as GR-20 Hexaphonic 19-ET Guitar Improvisation with the exception that Session Drummer 3 was added. I performed two pieces that night and this one [...] [...] performance at the Oddmusic Convergence used the same tuning (19 ET), equipment and software as GR-20 Hexaphonic 19-ET Guitar Improvisation with the exception that Session Drummer 3 was added. I performed two pieces that night and this one [...]

]]> By: admin http://chrisvaisvil.com/?p=25&cpage=1#comment-7 admin Wed, 16 Dec 2009 14:34:04 +0000 http://chrisvaisvil.com/?p=25#comment-7 Hi Charles, thanks for the listen and comment. I tried something like that back in 87 or 88 as well - the GR-20 is much much better - the reason I play so slow is from the synthesizer patches - very long attacks for most of them. I believe I hit a few notes with shorter attacks on the low strings at a few points in the improvisation. Though youtube made the video slightly out of sync there is no latency worth mentioning. Hi Charles, thanks for the listen and comment. I tried something like that back in 87 or 88 as well – the GR-20 is much much better – the reason I play so slow is from the synthesizer patches – very long attacks for most of them. I believe I hit a few notes with shorter attacks on the low strings at a few points in the improvisation. Though youtube made the video slightly out of sync there is no latency worth mentioning.

]]> By: Charles Lucy http://chrisvaisvil.com/?p=25&cpage=1#comment-6 Charles Lucy Wed, 16 Dec 2009 14:03:27 +0000 http://chrisvaisvil.com/?p=25#comment-6 Fun! I tried this back in the mid 80's using a Shadow pitch tracker and running it into a Yamaha DX7 Mk II which was microtuned. As I suspect you found, the latency was so slow that although it would trigger approximately the "right" microtunings, the playing techniques became very limited. Hence as you show, slow passages are more appropriate. Fun!
I tried this back in the mid 80′s using a Shadow pitch tracker and running it into a Yamaha DX7 Mk II which was microtuned.

As I suspect you found, the latency was so slow that although it would trigger approximately the “right” microtunings, the playing techniques became very limited. Hence as you show, slow passages are more appropriate.

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