I’m not sure, after spending have a day sorting this out more or less to my… level of being able to kick it out the door, that while cool because of its source from food packaging with ancient music as its box, that this is a good exercise. Its big, the melody itself is not (to me) very appealing. See what you think.
The Era of Fake News was done by using a 70’s fuzz pedal with a cardioid mic to sample gongs, cymbals, singing bowls and chimes. These samples were then loaded into Sonar’s Matrix View and used to create a performance which was captured. Massive reverb was added.
When Fear Itself Arrives is a six minute 19 edo composition using a Linnstrument, Doepfer R2M, Electro Harmonics Nano Ironlung Vocoder, Line 6 Uber Metal Pedal, Diva, Absynth 5, Izotope Beat Tweaker, Izotope Stutter Edit, Breverb, BT Brick Wall, dblue Glitch v 1.3, Voice, FDR clip, Cakewalk Sonar, Zoom UAC-2, all tuned to 19 notes per octave and taking advantage of micro-looping within the applications.
Reflection and Reflections, Generative Music Without Intent is a piece that uses 7 instances of FMTS 2 by Jacky Lingon of Xen Arts driven by one one instance of Refaktions which employs AI to develop and enhance performance – more on that app later. The piece uses simultaneous tunings of Carlos Alpha, 5 edo, and harmonics 12 through 24. click to enlarge
As the title says I spent some time with my 17 et guitar. I purposefully tried doing non-12 sounding stuff with what I think is moderate success. I believe I will have to resort to some “dots” to get some new scales in 17 et down – there just is too much to keep track of when I change strings causing the patterns to be transposed. I apologize for the sloppy classical guitar – ish playing.